SO not
worth a pen!
In any event, having purchased and worked with so many
different species of exotic wood, my mind started to wander and scrutinize the definition
of “exotic”. I’ve done this many times over the years, and the conclusion that
I reached recently is no different from the conclusion that I’ve reached so
often over time.
That is, what is exotic to me is mundane to someone else, and
what is mundane to me is exotic to others.
Merriam-Webster tells me that “exotic” has a few different
definitions: I’m going to ignore the one that talks about striptease, and focus
on the other three, all of which say pretty much the same thing for my
purposes: 1) not native to the place where found, 2) foreign, 3) strikingly,
excitingly, or mysteriously unusual.
Essentially: not from here.
Consider snakewood, for instance, which is a wood species
that has what I think are unbelievable grain patterns that can create some very
stunning objects. Snakewood is from South America.
Do you think that the average Brazilian looks at snakewood
and thinks, ‘Golly! That’s a lovely piece of wood! How exotic!’?
I wonder what the Portuguese word for “golly” is?
Or is that Brazilian more likely to say ‘Crap, another piece
of snakewood. Why can’t I ever get any white birch???’?
White birch, of course, grows pretty abundantly right next
to my house here in New England. Nothing exotic about it.
To me.
So this leads me to wonder: let’s say that I was living in
South America, and I ordered a box of exotic wood “blanks”, how pissed off
would I be if I got snakewood in that box?
What if I went out for “exotic” food and was given a baked
potato?
“Exotic”, at the end of the day, is just something that’s
not from where you are. It’s what made trade routes so damn long back in the
day. The longer, the more profitable. The more exoticer.
That should be a word, right?
Exotic could also mean an unusual use for a usual thing...ie...pens made of wood lol.
ReplyDeleteBut... I LIKE strip teases.
ReplyDeleteI used to work for a workshop what produced old classical wooden flutes and recorders. I was actually in charge of probably a few hundred of these from blocks of wood, right up through the attaching of thumb-rests and burnishing of brass parts, etc. Only thing I didn't do was tune them.
...can't say I was a master of it by any stretch, but yeah, I took them from rectangular blocks, put them on the biggest god damned bandsaw that I'd ever, and still have ever seen... Was easily two stories tall, with a blade four inches wide... Took about ten minutes to get up to speed, and probably about as long to stop after you cut the power... turned them into hexagons, bored them out, reamed them, turned them down into cylinders, stained them, you name it.
The most interesting wood I worked with was Grenedilla. Very Very hard wood. When it was turned, it did not create flakes or strips of wood. It created dark powder, like nestle quick. Very toxic. I always wore a respirator.
I did NOT wear it once when I was gun-drilling some English Boxwood and boy did I pay. I paid for WEEKS with what was akin to a serious chest cold. My voice changed to sound like Barry White, I couldn't breath deeply without coughing, and my phlegm was sometimes blue and smelled like Elmer's Glue.
Probably should have seen a doctor...
Darnit. I have several links in that word-bomb up above, but due to the settings in your theme, your "links" are the same color as your words.
Delete"A workshop What Produced..." in paragraph 1
"Grenedilla" in paragraph 3.
"Gun-Drilling" and "English Boxwood" in paragraph 4.
...I did not link "Phlegm" or "Elmer's glue".
I have awarded you an award. Check out thefeatherednest to collect it.
ReplyDeleteSandalwood is really exotic!
ReplyDeleteIt has been a long long time since you posted here.....hoping all is well with you and yours.
ReplyDeleteHello Everybody,
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